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Korean Movie Reviews for 2. The year 2. 00. 6 was a boom year in a number of different respects.

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Production reached its highest level in a decade and a half, with 1. Two films broke records at the box office: King and the Clown, which was released in the closing days of 2.

Bong Joon- ho's monster movie The Host, which sold just over 1. Several other films did quite well too, including gambling film Tazza: The High Rollers and comedy 2. Pounds Beauty. Taken all together, the 2. Artistically too, it was a year with several highlights.

Hong Sang- soo was widely praised for his seventh film Woman on the Beach; The Host won over critical praise to go with its commercial success; and the 1. Pusan International Film Festival boasted a large number of independent films that stirred up excitement among critics. A number of films shot in a more commercial vein, such as gangster movie A Dirty Carnival, debut film Like a Virgin, drama Family Ties and even the crazy low- budget comedy My Scary Girl earned high praise as well. Nonetheless, people in the film industry were sounding alarm bells by the end of the year. With so many films produced, and with the budgets of many films having grown out of control, a very small number of Korean films from 2. In contrast to the start of the year, when a huge number of films were in production, by year's end many investors had decided to hold back on funding any new films for a while, and the mood seemed to bode ill for 2.

The other major issue for the film industry in 2. Korea's Screen Quota System, which obligates theater owners to screen local films for a certain number of days per year. Formerly set on a sliding scale between 1.

U. S. and reduced the quota to 7. Filmmakers responded with lengthy public protests, but were ultimately unsuccessful in trying to get the government to revoke its decision.     Reviewed below:    The Art of Fighting(Jan 5)  - -  If You Were Me 2(Jan 1. Ssunday Seoul(Feb 9)  - -  Way To Go, Rose(Feb 1. One Shining Day(Feb 2. See You After School(Mar 1. Romance(Mar 1. 6)  - -  Grain in Ear(Mar 2.

My Scary Girl(Apr 6)  - -  The Peter Pan Formula(Apr 1. Bloody Tie(Apr 2. Over the Border(May 4)  - -  Family Ties(May 1.

The City of Violence(May 2. A Bloody Aria(May 3. A Dirty Carnival(Jun 1. Silk Shoes(Jun 2.

Aachi & Ssipak(Jun 2. Arang(Jun 2. 8)  - -  APT(Jul 6)  - -  Hanbando(Jul 1. The Host(Jul 2. 7)  - -  Forbidden Floor(Jul 2.

Roommates(Aug 3)  - -  Dasepo Naughty Girls(Aug 1. To Sir With Love(Aug 3)  - -  Lump of Sugar(Aug 1.

Cinderella(Aug 1. Time(Aug 2. 4)  - -  Woman on the Beach(Aug 3. Like A Virgin(Aug 3. Tazza: The High Rollers(Sep 2. Traces of Love(Oct 2. My Friend & His Wife(n/a)  - -  Cruel Winter Blues(Nov 9)  - -  Host and Guest(Nov 1. No Regrets(Nov 1.

If You Were Me 3(Nov 2. Ad Lib Night(Nov 3.

I'm a Cyborg, but That's OK(Dec 7)  - -  The World of Silence(Dec 1. Pounds Beauty(Dec 1.

The Best Selling Films of 2. Korean Films. Nationwide.

Seoul. Release. Weeks. The Host. 13,0. 19,7. Jul 2. 79. 2Tazza: The High Rollers. Sep 2. 79. 32. 00 Pound Beauty. Dec 1. 41. 04. My Boss, My Teacher. Jan 1. 95. 5Hanbando.

Jul 1. 45. 6Marrying the Mafia 3. The Matrix Revolutions Full Movie Part 1. Sep 2. 15. 7Maundy Thursday. Sep 1. 46. 8Forbidden Quest.

Feb 2. 35. 9Barefoot, Gibong. Apr 2. 65. 10. My Scary Girl. Apr 6. 7All Films. Nationwide. Seoul. Release. Weeks. 1The Host (Korea)1.

Jul 2. 79. 2Tazza: The High Rollers (Korea)6,8. Sep 2. 79. 32. 00 Pound Beauty (Korea)6,6. Dec 1. 41. 04. My Boss, My Teacher (Korea)6,1.

Jan 1. 95. 5Mission: Impossible 3 (US)5,7. Watch Stretch Hindi Full Movie more. May 3. 76. Pirates of the Caribbean 2 (US)4,6. Jul 6. 67. Night in the Museum (US)4,6. Dec 2. 16. 8Hanbando (Korea)3,8. Jul 1. 45. 9Marrying the Mafia 3 (Korea)3,4. Sep 2. 15. 10. The Da Vinci Code (US)3,3. May 1. 86. * Includes tickets sold in 2.

Source: Korean Film Council.(Note that King and the Clown was released on December 2. Seoul population: 1. Nationwide population: 4. Market share:   Korean 6. Imports 3. 6. 2% (nationwide)Films released:   Korean 1. Imported 2. 37. Total admissions:   1.

Number of screens:   1,8. Exchange rate (2. US dollar. Average ticket price:   6. US$6. 2. 2)Exports to other countries:   US$2. Watch The Boss Online Ibtimes more. Japan: 4. 2%)Average budget:   4.

Complete List of 2. Releases with Box- Office Data    The Art of Fighting. Byung- tae is a teenager attending a tough high school, where the other students make it their daily habit to beat him up. Sporting perpetual bruises on his face, he spends his free time reading martial arts manuals and taking fighting lessons from various adults in town, in a desperate attempt to learn how to defend himself. Nothing seems to do any good, however. One day, at a private reading room, he comes across an eccentric old man named Pan- su who possesses an amazing skill for fighting.

It's not that he is powerfully acrobatic or unnaturally strong, it's that he is a seasoned expert in down- to- earth, realistic modes of fighting. In other words, he fights dirty. Pan- su somewhat reluctantly takes Byung- tae under his wing and starts to teach him what he has learned about fighting and about life. These include gems of wisdom such as, "Sand and spit are the most useful objects at hand during a fight." Byung- tae tries his best, but at the same time he has a hard time shaking off the fear that he has been living with all these years.

Debut director Shin Han- sol's The Art of Fighting is a different sort of action film, one that largely avoids impressive displays of physical movement, and instead focuses on the gritty, sensual aspects of fighting. Set in a grim, ugly- looking town where the people seem motivated by boredom rather than any enthusiasm for life, the film is most memorable for its black humor and the great presence shown by its two lead actors. With vulnerability and steely determination reflected in his eyes, Jae Hee, best known from Kim Ki- duk's 3- Iron, is well- suited to the role of Byung- tae. It may seem superfluous to say this after 3- Iron, but Jae really can communicate a great deal to the viewer even when he is not speaking. Pan- su, meanwhile, is played by acting god Baek Yoon- shik, who has already shown his mastery in films like Save the Green Planet and The President's Last Bang.

Here he plays this role with a mixture of world- weary passivity and sudden, electric bursts of violence. Although lacking the depth of the other roles he has played in the past few years, Pan- su possesses an attitude that is uniquely Baek Yoon- shik. The Art of Fighting is well acted and capably put together, with a mostly predictable but engrossing narrative.