Prophecy Watchers is a weekly television program, email newsletter and online bookstore hosted by Bible Prophecy expert Gary Stearman. SCI FI Channel is now Syfy, but you can still get access to all your favorite SCI FI Channel content right here. Syfy features science fiction, drama, supernatural. Symphonic Choirs is an ambitious and powerful instrument capable of recreating the sound of a real choir with an incredible degree of realism.

East. West Symphonic Choirs. Ranges. The PLAY Edition of Symphonic Choirs has extended the ranges of the SATB sections. The new ranges are. Sopranos. Altos. Tenors. Basses. D3 to E5. F2 to A4. C2 to D4.

B0 to D3. The ranges for the Boys Choir and solo singers are as follows. Boys. Solo Soprano.

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Solo Alto. Solo Boy. C3 to B4. E3 to D5. E2 to G3. Bb. 2 to Bb. Articulations. Symphonic Choirs puts five complete choir sections at your fingertips. In addition to Sopranos, Altos, Tenors, Basses, and Boys choir, you get solo Soprano, Alto, and Boy singers. The SATB and Boys sections are all compatible with Word. Builder, described at right, and give you the ability to have your choir sing the words you type.

When used in Word. Builder, these sections have four articulations: sustained, legato, staccato, and slur. The articulation can be set on the fly using a keyswitch. Also included are simplified vowel patches and effects including the following.

On Wednesday, Facebook announced the rollout of Watch, what it is calling “a new platform for shows on Facebook.” It’s yet another foray by the social media. Share this Rating. Title: Quantum Apocalypse (TV Movie 2010) 3 /10. Want to share IMDb's rating on your own site? Use the HTML below. “We wanted to show this is a universal quantum mechanical effect,” study author Daniela Cadamuro from the Technical University of Munich in Germany told Gizmodo.

Ah- Ih- Eh. Cluster Effects. Cluster Oh. Soloists. Three solo singers are also included.

While not compatible with Word. Builder, you get a variety of articulations for each singer. Soprano. Alto. Boyah Non Vibah Exp Vibmm Exp Viboh Non Viboh Exp Viboo Non Viboo Exp Vibah Exp Vibah Non Vibah Exp Vib Sluroh Exp Vib Sluree Exp Vibmm Exp Viboh Exp Viboh Non Viboh Exp Vib 2oo Non Viboo Exp Vibah Non Vibah Non Vib Sluroh Non Viboh Non Vib sluroo Non Vib. Random Syllables 1- 4.

Word. Builder. Word. Builder™ is the word building software that enables Symphonic Choirs users to type in words for the Choirs to sing. Word. Builder: User interface (magnify..).

Word. Builder lets you type in words in English for the Choirs to sing. For added detail, you can use Word. Builder's internal phonetic language, Vo. Tox. With Vo. Tox you get complete control over each phoneme.

Adjust timing, volume, and crossfade to get just the sound you need. The "Learn" function adapts Word. Builder's timing to your playing to give you even greater control over crossfades and complex pronunciation. The "Phrases" pop- up menu includes 2. Latin phrases that you can load instantly. Many choirs sing in Latin so this can be a real time saver for those on a tight deadline. The phrases have been optimized for each Choir.

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The Phrases menu is completely customizable so users can add their own phrases to the menu for quick and easy access. Symphonic Choirs Expansion. The Symphonic Choirs Expansion expands the content of Symphonic Choirs with the best samples from Quantum Leap Voices of the Apocalypse. Voices of the Apocalypse has FFF, heavy vibrato vowels that go beyond what is currently in Symphonic Choirs. So the Symphonic Choirs Expansion lets you crossfade from the loudest Symphonic Choirs vowels into the FFF Voices of the Apocalypse vowels.

The result is a well integrated sound that can only be described as MASSIVE. Because Voices of the Apocalypse was also recorded with wordbuilding in mind, these new expansion patches also work with Wordbuilder. The Symphonic Choirs Expansion also includes the ever popular Angels and Demons samples from Voices of the Apocalypse. Men's and Women's FFF vowels (ah, ih, uh, oh, oo, eh, ee) are included as well as the "Angels" and "Demons" patches from the original Voices of the Apocalypse.

The additional VOTA content was recorded at 2. The Symphonic Choirs Expansion is available as an add- on for $7. East. West's PLAY software is a 6. Advanced Sample Engine (plug- in or standalone). Symphonic Choirs: User interface (magnify..).

Multiple Mic Positions. All instruments were sampled with three different mic positions (platinum edition only), allowing you to mix together any combination of mics using the interface for the ultimate in real- time tone and ambiance control. This feature enables you to customize the sound of the choir to your own requirements. Please note: while most computers suitable for running professional music software will run one of the mic positions (what you typically get with other choir libraries), you should have a recommended system or above to have all options available.

Mic Mixer. Control all mic positions for the orchestra, choirs, pianos, and other instruments with multiple mic positions with the built- in mic mixer. Now taken a step further, do it right in the patch.

Load, unload, adjust, pan, mute mic positions as you wish. As Beautiful As It Sounds.

Interface designed to eliminate clutter, including only the controls needed for each individual virtual instrument. All instruments are listed in one browser.

Easy to use browser displays all of your instruments. Favorites section to group the instruments you use most. Preview your instrument of choice in an easy- to- use column viewer. Interface automatically changes to display current instrument. Articulations. Forget browsing through complicated patch names: pick the instrument and play.

Turn on/off articulations as you wish. Articulations list also serves as reference for all expressions within the instrument (no need to look up key- switches in charts)Save your favorite configuration for quick retrieval. Legato Detection. PLAY senses legato and repetitive playing and responds accordingly. Stereo Handling. PLAY allows the user to manipulate stereo samples in very useful ways. Stereo Swap allows the user to instantly swap the left and right channels.

Mono from left , Mono from right, or Mono Sum allow for instant conversion from stereo to mono. Playback Engine. Highest quality resampling engine. Built from the ground up to create the most intuitive instruments possible. East. West/Quantum Leap now design instruments every step of the way without compromise.

Effects Engine. The best sounding and most powerful effects engine out there, built from the ground up for the highest possible quality. Reverb section includes multiple impulse responses from halls, and the famous East.

West Studios and live chambers (more RIAA certified Platinum and Gold records awarded than any other studio). The smoothest filters you'll ever hear. Platforms and Hosts. AU, AAX, VST, Standalone, Mac OS 1.

Windows 7 or above, 6. Natively supported in all major hosts on all major operating systems - PLAY no matter what your platform.

More native support than any other plug- in. Standalone: PLAY as many instruments as your computer can handle in one application. Summary. PLAY isn't just a sampler. The PLAY SYSTEM is a professional, fully integrated sample playback software solution for those with the most demanding production requirements.

Facebook's New Watch Tab Does Not Look Like a You. Tube Killer at All. On Wednesday, Facebook announced the rollout of Watch, what it is calling “a new platform for shows on Facebook.” It’s yet another foray by the social media company from the business of distributing other people’s content into producing and licensing its own, and differs from its existing video content in that it looks a lot like Netflix or You. Tube’s apps. Watch content will be “produced exclusively for it by partners,” who will take 5. That content will be spread via channels like “Most Talked About” or “What’s Making People Laugh” categories that will be determined by how users interact with it. Watch will offer both a live comment feed where users can interact with the wider Facebook audience—something that already exists with Facebook Live streams—and the ability to “participate in a dedicated Facebook Group for the show.”Here’s a few shots of what it will look like on various formats, as shown in the press release. It definitely looks slick and polished, but even this initial glimpse hints that Watch is not the You.

Tube or Snapchat killer Facebook wants it to be. Facebook’s launch programming for the new video section is, uh, not exactly the A- list talent one might think a company worth hundreds of billions of dollars could secure. It includes Nas Daily, a show from a guy who quit his job to make one- minute travel videos “together with his fans from around the world” (a preview clip is titled “We Bought 1. Burgers”); a live show where motivational speaker Gabby Bernstein will interact with Facebook users; a cooking show where children will attempt to make a recipe; and in probably Facebook’s biggest grab, one live game of Major League Baseball a week.

Another show mentioned in the launch is Returning the Favor, where host Mike Rowe “finds people doing something extraordinary for their community, tells the world about it, and in turn does something extraordinary for them.” Yet another focuses on “the passion and community of big- time high school football in Texas.”There’s a few more interesting options, like a NASA science show, and a live Nat Geo Wild safari program. But none of this seems particularly edgy or hard- hitting. Watch The Tattooist Streaming more. It’s the definition of safe. This is the kind of generic filler that forms so much of You. Tube’s bread and butter—but if that’s all they have lined up, what could possibly lure people from You.

Tube itself, which has long been pumping out much more interesting content tailored to virtually every niche interest and community? Facebook’s content strategy is almost certainly to prove functionality and its ability to drive users to the service, and then try to lure other content producers to the service. But like a number of Facebook products before it, it’s unclear why publishers would want to use the platform. For example, Facebook Live already allows publishers to stream content like protests or post- Game of Thrones commentary live to their pages. They can also push regular video content wherever they want without an exclusive deal, whether it’s Facebook, Twitter or You. Tube, and all three of these channels can be embedded elsewhere.

Another goal could be to compete with Snapchat, which lots of publishers have started using to push short- form video content. But it’s not clear how Watch will get those users to return by replicating some of Snapchat’s functionality, especially since the latter company’s video content tends to be in reality or unscripted formats which seem nicely in tune with its overall aesthetic. This looks a lot like Facebook’s attempt to push publishers into the same kind of walled garden they built with Instant Articles. Large sections of the media were spooked it was a prelude to Facebook choking off traffic to other websites—why would Facebook let you link out when they can force you to live in the garden, right?—but the concept has stalled somewhat, as Instant wasn’t driving enough additional traffic to offset its lower advertising revenue.

Facebook has a tendency to build platforms it just loses interest in. Instant is still around, but in a diminished role as Facebook tweaked its algorithm to drive users to friends’ posts, video content and most recently another story format to compete with Snapchat. In the past few days, it’s killed off its standalone Facebook Groups app and Lifestage, a “high schoolers only” Snapchat knockoff that ended up ranked #1,3. App Store’s social media category. It’s certainly possible Watch will help Facebook swallow more and more of the internet into its ever- expanding gullet. But supplying a nice- looking video platform does not automatically create demand, and Facebook has repeatedly stumbled to create a business model that will keep both users and publishers inside of it instead of clicking out.

We’ll see. No word on whether Donald Trump’s “real news” program will get a slot, but we doubt it.[Facebook]* Correction: Wednesday, not Tuesday.