Complete Unknown Movie Review (2. Complete Unknown” has a killer opening sequence. Two young. women, their faces tantalizingly kept out of frame much of the time, discuss a. That woman, glimpsed in profile, is recognizable as Rachel Weisz. So, too, is the compassionate and competent hospital nurse seen in a couple of.

So, too, is the magician’s assistant working in a Chinese. So, too, is the somberly dressed woman sitting.

Is this a woman with a. Is this a clone? Advertisement. Next we’re in a New York office and characters Tom (Michael. Watch The Comancheros Full Movie.

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Shannon) and Clyde (Michael Chernus) are discussing a matter of some import. Tom is drafting a sort of codicil to a piece of proposed legislation, and is. Michael Shannon, his.

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In short order, Weisz’s character is seen doing. Clyde, and. insinuating herself into his attentions by way of an obviously engineered.

Clyde’s office cafeteria. The viewer will have more questions now. Weisz someone who engages in some sort of corporate espionage, hence all of. The answers are not too long in coming, and without giving too.

Complete Unknown” unspools as more of a chamber drama than a. The picture is co- written and directed by Joshua Marston, who’s. California- born filmmaker’s first full- length movie in English.

His 2. 00. 4. feature debut “Maria Full of Grace” was mostly in Spanish, and 2. The Forgiveness of Blood” was set and shot in Albania. The milieu of. “Complete Unknown” has an internationalist bent; Tom’s wife, Ramina (Azita Ghanizada), is.

Persian, and is informally tutoring Tom in Farsi; everyone in Tom’s circle is. Alice,” who comes to Tom’s birthday party as Clyde’s.

This new persona of Weisz’s claims to have just come in from. Tasmania, where she’s been working with a newly discovered species of toad. Tom, however, recognizes someone wholly other in Alice.

At a certain point, the character Weisz plays reminded me of. Alice, the persona- shifting sometime. Mike Nichols’ 2. 00.

Closer,” adapted by Patrick Marber from his. As Tom and “Alice” separate themselves from Tom’s social circle to sort.

Weisz’s character explains to Tom that the way she morphs from. I could be anyone I wanted.” A. Kathy. Bates) ends in a mishap that compels Tom and Alice to escort the woman back to. Danny Glover). There, “Alice” gives Tom.

Bates’ character in a sequence that’s both suspenseful and. Advertisement. Marston’s screenplay, co- written with Julian Sheppard, is sharp and has a nice. His directing style here is intriguing. Shooting in. widescreen, he often maintains an almost claustrophobically shallow focus, and. It’s a good strategy for keeping the viewer a little off balance.

And a tight frame also has the added benefit of masking a tight budget. I did notice when the golden retriever that Bates’. Bates, Weisz and Shannon entered the Bates’ character’s. The movie does pretty well as a treatment of identity and.

But it somehow. fails to wholly satisfy. And as killer. as the opening sequence is, the movie’ final shot is a disquieting dud: it is practically (color values aside) a. Closer.” Which is not to say.

Marston lifted it; for all I know he’s never even seen the movie. It’s. more likely that the observation that motivated the shot was exactly the same.