Pride and Prejudice by Jane Austen. Critics who consider Austen's works trivial because of their rigid, upper- class setting, wealthy characters, domestic, mannered plots and happy endings are almost totally disconnected from reality, as far as I can tell. What can they possibly expect an upper- middle class English woman to write about in 1. Sci- fi? A history of the American Revolution?

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A real- life exposé of underage exploitation in the garment district of London? Come on. What other setting can she be expected to tackle with authority? Austen's value lies in her portraiture: her characters are believably human in their concerns, vanities, failings and quirks.

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The plots serve largely to showcase their interaction and thus, her observations of human nature, which are pointed, accurate, and hysterical. Here, in her best work (my opinion), her technical skill as a writer also shows in Pride and Prejudice's tight plotting and economical casting; there are no superfluous characters or wasted chapters here. My college lit professor used to go on and on about this novel as a revolution of literary form in that dialogue drives the plot as much as exposition; I'll buy that but it doesn't thrill me for its own sake as much as it did her.

It does mean, though, that Pride and Prejudice is a relatively smooth and lively read, that we learn about events and characters as much from what they say to each other as from what Austen narrates to us. The banter between Darcy and Elizabeth isn't empty flirting, it's a progression, a chart of their ongoing understanding/misunderstanding and a way to take stock of plot developments as well as an enjoyable display of wit. Austen's heroines are famously caught between love and money are famously criticized for always getting both in the end. I've got no problem with this wish fulfillment. Keep in mind that being married is basically the only possible 'job' available to a woman of her position- -marrying a rich dude is the only viable escape from the life of poor- relation dependency Austen herself lived, there's nothing reactionary or anti- feminist about it. The other option- -becoming a governess- -is barely respectable, putting a woman into an ambiguous class limbo of social invisibility that translates directly into a loss of safety and self- governance.

Expecting Elizabeth to, what, become a doctor? Clan of the Cave Bear, with Ayla and her bearskin bra, or what have you. Pride and Prejudice is simply a joy to read, a dance of manners and affection between the leads and a parade of human silliness in the supporting cast. Patricia Meyer Spacks annotated edition I received as a gift for Christmas 2. It’s quite remarkably handsome, and sturdy, and useful for whacking spiders if you are that sort of person. Generously illustrated with color and black- and- white sketches, engravings, and reproductions of earlier editions, household objects, relevant artwork, contemporary cartoons, diagrams and fashion plates.

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My attention wandered during the editor’s introduction in what turned out to be a horribly familiar way. While I appreciated Spacks’s discussion of historical background, her warnings about the subtlety of language and characterization, and the dangers of identifying too much with our favorite characters because Austen stacks the deck for that purpose, etc etc, it was a sort of technical appreciation- -dry, and a little bit soulless. I was, perhaps, impatient. At some point as I yanked my eyes back to the pages I kept trying to read, I realized: Spacks is a Professor Emerita at the University of Virginia- -my former stomping grounds (wahoo- wa!) (..

MY professor back in 1. I don’t remember her name or face, but certainly her style, the steel trap of her mind, and the mildly pushy feeling of her obsession with language all felt very very familiar. So, grain of salt: I may have some kind of baggage here. That said, this is a must- own for the serious P& P fan.

As with any annotated edition, I wouldn’t recommend it for a first or even third reading of the book- -these notes take up half- to- full pages, sometimes continuing to the next, and only if you’re already familiar with the text of the book itself can you spare attention to wander off down these other roads. Keep another straight copy of P& P around for when you just want to read the thing.

Some footnotes are simple definitions, or style notes: some are mini- essays that include their own cited references. Spacks includes centuries of Austen scholarship in her notes, not just contemporaries, so points of view vary widely. Watch Prison Break Season 4 Episode 11 Free.

There’s quite a smorgasbord of textual commentary to pick through, and you’re sure to find little tidbits that strike you as especially resonant or horrendously wrong and weird. Two tidbits I liked: first, a primary source. One note, in discussing the complicated British class system of the day, refers to a table constructed by one Patrick Colquhoun in his A Treatise on the Wealth, Power and Resources of the British Empire, in Every Quarter of the World (2nd ed., London, 1.

Darcy stands in relation to the Bennett family. He’s in the “second class,” they’re in the fourth.

Clearly people put a lot of time and effort into codifying and arguing about societal structure, status and behavior, and I think that would be a fascinating thing to read. Another note I lingered over involves Mr. Collins, a character we love to hate. Here's the upside of an annotated edition: I’d never bothered to give Mr Collins much of my attention, since he’s icky- -but Spacks points out the oddity of a snippet that I'd always ignored before. In bidding Elizabeth farewell from Hunsford, Mr Collins apologizes profusely for the humbleness of his style of living, as if he considered her socially above him- -and this is a complete 1. Also, Spacks has a lot to say about Elizabeth's inconsistency and lack of generosity towards Charlotte Lucas- -traits I'd noticed in past readings without following through to some of their logical conclusions and their connections with Elizabeth's later behavior.

Definitely worth the purchase price! Add it to your collection, but don't make it your only copy, since it's hard to tuck under your pillow.